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I've always wanted to go to the Burning Man festival in the Black Rock Desert in Nevada, USA. Maybe it's because I missed the Summer of Love in San Francisco in 1968, and did not get there until the Fall of Discontent. And then I missed out on Woodstock, having been drafted and dodging bullets in Vietnam in '69. Anyhow, I feel I have to get one of those big festivals under my belt. Of course, Burning Man in Black Rock has turned into a lot more than the one in Bologna.
As a part-time videographer, I would love to be part of the video production crew at Burning Man.
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This sounds like a fun and challenging job, and is well desrcibed in a recent issue of DV Magazine. My appearance, of course, is a bit more conventional than that of the featured shooters, Tim Laurel. But I do know how to use a camera and a Mac!
My aunt worries when I am out after dark, and I was not about to roll in at 1 a.m., so unfortunately I missed the lighting of the man in Bologna. According to my almost 94 year old aunt, she remembers going to see the burning man when she was a very little girl, so the tradition must be at least 90 years old.
Both Burning Man in Bologna and in Black Rock were about 40 feet high, and there is a thorough clean up after the event. I went to the Piazza Maggiore at noon on New Year's Day, hoping to get a photo of the burnt and charred remnants. Was I surprised when there wasn't a trace that anything had happened! The piazza was spotless, the layer of sand under the Burning Man was removed, with the stones underneath showing no sign of a fire. You had to look pretty hard to even detect the sand that was covering the stones only a few hours before.
In a similar fashion, Burning Man in Black Rock is a Leave No Trace Event
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To the right is the Burning Man 2006 poster for Black Rock, designed by Dominic Tinio.